The littered horizon in the photo, how to fix it?

The littered horizon in the photo, how to fix it?

If, when viewing the footage https://www.artlook.us/service/gay-wedding-photographers-nyc/, you find the presence of this error in the photo, you will have to resort to a radical method – deleting all such pictures! Kidding!

This problem is easily solved in Photoshop.

For this:

Insert the photo into the program.
Press the C key. This is the frame tool.
Rotate the image in the desired direction by the round arrow (usually located in the corners of the photo) until the desired result is achieved.
Press Enter to save the result.
Make a crop.
Save the photo.

By the way, paying attention to convenience and developed habits, I want to say that I categorically do not accept the cropping method in Photoshop and use the usual, well-known Paint: open the photo, select the desired area, click “Crop”, save.

Paint also has a function to rotate a certain number of degrees in one direction or another, to align the contours, but, as for me, this method spoils the quality of the photo, and I do not use it.

Other lines involved in the composition

In continuation of the topic, I cannot but mention the various lines involved in the construction of the frame or interfering with it.

Most often, lines add life to a photograph, express dynamics, indicate direction, lead the eye to the main object, emphasizing its significance.

A picture consisting of horizontal, vertical and diagonal lines cannot but interest the viewer in itself.

Lines mean various geometric structures, building decoration, power lines, railway tracks, highways, road markings, alleys, etc. Even a tabby cat can fit perfectly into the frame and emphasize something.

Finding the right lines is quite difficult, everything takes practice.

When photographing monuments or architecture, pay attention to the surrounding lines. They will help convey the plot of the photo to the viewer in the best light.

In landscape photography, horizontal lines symbolize a state of rest: sleeping people, the forest, fallen trees, the “contact” of the sky and the sea – merging together – all this speaks of balance, a certain constancy and the absence of time.

However, a shot that embodies the riot and variety of lines can be too oversaturated and boring.

So if you’re shooting an ocean coastline that is in contact with the sky, drag something into the frame, such as a passing ship or a setting sun.

It is important that everything is in harmony and complements each other.

When shooting landscapes, portraits and architecture, the horizon line is not desirable to be centered. It should be understood that this will lead to the division of the frame into two parts, and this is unacceptable according to the rule of thirds.